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Soviet film classics find new life on YouTube

AFP, MOSCOW, April 28: The Moscow film company behind some of the greatest classics of Soviet cinema on Wednesday said it had agreed to make dozens of its best-known movies freely available on YouTube.

The agreement between Mosfilm and YouTube means that an initial batch of 50 films that still have legendary status in Russia but are little known outside will for the first time find a wide foreign audience.

The unabridged films have been posted with subtitles and Mosfilm said it will add five more films every week, meaning that by the end of the year a library of 200 films will be available in high definition.

The movies posted so far include "Ivan Vasilevich Changes Occupation", a 1973 comedy where a Soviet engineer accidentally sends feared Tsar Ivan the Terrible to modern Moscow with his homemade time machine.

Also available is "White Sun of the Desert" (1969), the first of a genre of Soviet co-called Easterns set in Central Asia that is still traditionally watched by cosmonauts before every space launch.

Curious viewers may also want to try the 1930s musical comedy set on a river cruise ship, "Volga Volga", which is said to have been the favourite film of Soviet tyrant Joseph Stalin.

Better known to Western viewers will be Andrei Tarkovsky's arthouse classic "Mirror" (1975), whose meaning remains elusive even after several viewings.

"For us the YouTube project is very important and interesting," said Karen Shakhnazarov, the director the Mosfilm, in a statement.

"The aim is to give users the possibility to legally watch high-quality video material and prevent the illegal use of our films," he said, adding this was made possible by YouTube's capacity to block pirated content.

Mosfilm traces its history back to the early days of the Soviet Union and cinema in the 1920s when film production was nationalised into the Goskino company.

It acquired its current name in 1935 and still proudly uses the famous Soviet sculpture "Worker and Peasant Woman" as its symbol.

Vienna Ballet sets sights on Japan, Monte Carlo

AFP, VIENNA, April 28: After a first season rich in premieres, the Vienna Ballet under director Manuel Legris will pack its bags next season for a couple of tours to build up its name on the international stage.

So far, two tours are planned: to Monte Carlo in December for two evenings, and to Japan in April 2012, where the company will perform Roland Petit's "Die Fledermaus" as well as a gala evening, Legris announced at a press conference Wednesday.

At home, the Ballet will have three premieres next season: the classic ballet "La Sylphide" by Pierre Lacotte; a homage to Roland Petit; and a third evening dedicated to "Carmina Burana" by Vesna Orlic, "L'Apres-Midi d'un Faune" (The Afternoon of a Faun) by Boris Nebyla and Andras Lukacs's "Bolero."

"We had a great number of premieres this season and I think it is quite exceptional to have this amount of performances," said Legris.

"But I don't think we can manage eight premieres every year," he added, after the company presented a new performance almost on a monthly basis this season.

The Ballet should also develop outside of Vienna, for instance through tours, which will be organised on a more regular basis starting next season.

This was a chance "to show this company because the dancers deserve to travel around the world," Legris said, insisting on the need to put the Vienna Ballet on the international stage.

The French former etoile dancer has earned rave reviews since arriving in Vienna last summer, reviving a ballet company that was long ignored in a city of opera-lovers.

"Each performance gets better and better... the dancers are making progress on stage, they are starting to own the ballet, to own the spirit," he told AFP.

"The dancers have a contract that is renewed every year so they can leave when they wish. And since I've been here, nobody has left."

Two premieres remain this season: a homage to West Side Story choreographer Jerome Robbins and a Nureyev Gala, which will become an annual event and in which Legris is set to perform.

The tribute to Rudolf Nureyev, a former director of the Vienna Ballet and mentor to Legris, will feature some of his most famous works as well as other choreographers close to him.

A still-blistering 'Normal Heart' hits Broadway

AP, NEW YORK, April 28: "The Normal Heart" is about AIDS. Until it isn't.

Larry Kramer's historic play about the beginning of an epidemic that has killed millions can be seen as a time capsule of a period when the disease was first emerging. But it can also be a cautionary tale for any horror we have yet to fully grasp.

Joe Mantello and Ellen Barkin headline this excellent production, which opened Wednesday at the Golden Theatre and represents the play's Broadway debut, 26 years after it was first mounted at the Public Theater.

It starts in 1981 at a doctor's office in New York. A mysterious disease is making men sick and Ned Weeks (Mantello playing Kramer's raging alter ego) discusses it with Dr. Emma Brookner (Barkin).

"I think we're seeing only the tip of the iceberg," says the doctor. "I'm frightened nobody important is going to give a damn because it seems to be happening mostly to gay men."

That comment would prove prescient: The rest of the play is about how a group of gay men turned into activists as they grappled with a lethal disease whose method of transmission was unclear. In those early days, some advocates argued that homosexual men must stop having sex entirely.

"I've spent 15 years of my life fighting for our right to be free and make love whenever, wherever," one character cries. "You're telling me that all those years of what being gay stood for are wrong ... and I'm a murderer."

The play is very much the personal story of Weeks (and so of Kramer), the Cassandra who helped found the Gay Men's Health Crisis and bickered with colleagues about the best way to address the disease.

Mantello as Weeks is pugnacious ("We're not yelling loud enough!"), fights with his straight brother (a nice turn by Mark Harelik), who seems more concerned with building a $2 million house in Connecticut than backing his sibling, and tries to comfort his dying lover (a wonderful John Benjamin Hickey). Mantello manages to make his unlovable Weeks lovable and he steers clear of hagiography.

Joel Grey and George C. Wolfe co-direct and push the throttle — each scene is fraught with emotion, anger is quick to explode, papers are tossed with abandon, and any moment of humor is milked for the relief it offers from a hectic production.

There are wonderful soliloquies performed by Lee Pace, who tells the harrowing story of his character taking his dying lover home to Phoenix only for a petrified hospital staff to stuff the body in a Glad Bag, and by Barkin, whose polio-stricken doctor has a blistering exchange with a panel of government officials who decline to fund her work.

"Anyway you add all this up, it is an unconscionable delay and had never, never existed in any other health emergency during this entire century," she spits back. "We are enduring an epidemic of death."

This is not a lyrical or operatic play such as Tony Kushner's "Angels in America," which also dealt with AIDS and had its first major New York revival this season. Kramer is hardly subtle. He uses the play as a soapbox, attacking then-Mayor Ed Koch for apathy and The New York Times for not spreading the word about the plague.

It is in those moments that the work transcends the New York of the 1980s. Was this also what it was like for peace activists watching in horror as the massacres in Darfur or Bosnia were starting? "The Normal Heart" is an indictment of too-cold bureaucracies and less-than-eager politicians. It is also a window into debates the gay community has undertaken as they push for marriage rights — how far to push, how much to refer to their own sexuality, how strident they must be.

The production is wisely very spare, with only a few props used, perfectly in tune with the agitprop feel. Some of the actors not involved in scenes sit in chairs in the dark like silent witnesses, adding to the rawness of the staging.

One key exception is David Rockwell's marvelous raised collage that fills the stage's three walls. At first, it looks like nothing — just white cinderblocks. Upon closer inspection — and with help from the lighting team — the set reveals itself as hundreds of quotes, headlines and statistics about the AIDS crisis.

Since Kramer wrote this play, AIDS has become survivable for many people lucky enough to get new drugs. But there is no cure and people still needlessly die. So that is reason enough to return to 1981 and see — either for the first time or as a reminder — what those first days were like.

British royal wedding schedule

AP, The schedule of events for the wedding of Prince William and Kate Middleton.

• 0815 BST (0715 GMT; 3:15 a.m. EDT) — Guests begin arriving at the Great North Door of London's Westminster Abbey.

• 0950 BST (0850 GMT; 4:50 a.m. EDT) — Governors-general and prime ministers of realm countries, the diplomatic corps, and other distinguished guests arrive at the abbey.

• 1010 BST (0910 GMT; 5:10 a.m. EDT) — Prince William and Prince Harry leave Clarence House for Westminster Abbey.

• 1015 BST (0915 GMT; 5:15 a.m. EDT) — The princes arrive at Westminster Abbey.

• 1020 BST (0920 GMT; 5:20 a.m. EDT) — Members of foreign royal families arrive at Westminster Abbey from Buckingham Palace.

• 1027 BST (0927 GMT; 5:27 a.m. EDT) — Middleton's mother, Carole, and brother, James, arrive at the abbey.

• 1030 BST (0930 GMT; 5:30 a.m. EDT) — Select members of Britain's royal family arrive at the abbey.

• 1040 BST (0940 GMT; 5:40 a.m. EDT) — Queen Elizabeth II and her husband, Prince Philip, leave Buckingham Palace for the abbey as Prince Andrew and daughters Princess Beatrice, Princess Eugenie; Prince Edward and his wife, Sophie; Princess Anne and her husband Timothy Laurence arrive for the ceremony.

• 1042 BST (0942 GMT; 5:42 a.m. EDT) — Prince Charles and his wife, Camilla, arrive at the abbey from Clarence House.

• 1045 BST (0945 GMT; 5:45 a.m. EDT) — The queen and Prince Philip arrive at the abbey.

• 1051 BST (0951 GMT; 5:51 a.m. EDT) — The bride, accompanied by her father, Michael, leaves the Goring Hotel for the abbey.

• 1055 BST (0955 GMT; 5:55 a.m. EDT) — Bridesmaids and pages arrive at the abbey from the Goring Hotel.

• around 1100 BST (1000 GMT; 6:00 a.m. EDT) — The bride arrives. Marriage ceremony, which will be relayed on audio speakers along the wedding route, begins.

• 1215 BST (1115 GMT; 7:15 a.m. EDT) — William and his new wife emerge from the abbey and depart in the 1902 State Landau, a carriage, and travel to Buckingham Palace, followed by the queen.

• 1230 BST (1130 GMT; 7:30 a.m. EDT) — The bride's carriage procession arrives at Buckingham Palace, followed by members of Britain's royal family and other foreign royals 10 minutes later.

• 1240 BST (1140 GMT; 7:40 a.m. EDT) — Guests for the wedding reception arrive at Buckingham Palace.

• 1325 BST (1225 GMT; 8:25 a.m. EDT) — William and Middleton, accompanied by the queen and their families, appear on the balcony of Buckingham Palace.

• 1330 BST (1230 GMT; 8:30 a.m. EDT) — The royals watch a ceremonial flypast from the Royal Air Force and Battle of Britain Memorial Flight before returning inside for the queen's reception for some 600 guests.

• 1800 BST (1700GMT; 1 p.m. EDT) — Private reception begins at Buckingham Palace for 300 guests.

Prince William, Kate at final wedding rehearsal

AP, LONDON, April 28: Prince William and Kate Middleton have arrived at Westminster Abbey for a final wedding rehearsal.

St. James's Palace says that the couple, the bride's parents and Prince Harry are at the abbey with senior clergy for the private rehearsal.

Wednesday's rehearsal will be their last chance to run through the service before their wedding Friday.

A convoy of cars arrived at the abbey as hundreds of excited tourists and dozens of broadcasting crew looked on.

Middleton's parents, Michael and Carole, drove to London from their Berkshire home earlier Wednesday to base themselves at the Goring Hotel. They will be staying there for the next three nights.

The couple had held rehearsals before, but this is the first time they did inside the abbey.

'American Idol' finalists croon Carole King tunes

AP, LOS ANGELES, April 28: Scotty McCreery won back some friends on "American Idol."

After receiving criticism from the show's judges for playing it too safe last week, the deep-voiced 17-year-old country crooner of Garner, N.C., enticed the panel with his buttery rendition of "You've Got a Friend" on the Fox talent competition's evening of Carole King tunes Wednesday. It was 22-year-old rocker James Durbin of Santa Cruz., Calif., who was dubbed a front-runner though.

Randy Jackson proclaimed that Durbin "just might win the whole thing" after his electric reworking of "Will You Still Love Me Tomorrow." Steven Tyler didn't say he saw Haley Reinhart, the bluesy 20-year-old college student of Wheeling, Ill., winning the contest, but he did claim that he "just saw God" after Reinhart's upbeat rendition of "Beautiful."

"You have one of the best voices in the competition," Jennifer Lopez told Reinhart.

Jacob Lusk and Lauren Alaina were praised for going outside their comfort zones. Tyler lauded a plaid-clad Lusk, the 23-year-old spa concierge of Compton, Calif., for "shaking his tail feathers" on "Oh No Not My Baby," while Lopez hailed Alaina, the 16-year-old high school student of Rossville, Ga., for reaching for the high notes on "Where You Lead."

"I don't know if I love the song," Jackson told Alaina. "What I did love is that you came up there with a vengeance."

Casey Abrams might want to take a cue from Lusk. Lopez told Abrams, the 20-year-old eccentric film camp counselor of Idyllwild, Calif., that she wanted him to "loosen up your legs a little bit" after his jazzy performance of "Hi-De-Ho," popularized by Blood, Sweat and Tears. Tyler was more enthused, informing Abrams that it "made my scalp itch, it was so good."

The top six finalists were also paired for duets of King classics. Abrams and Reinhart brought their growling chemistry to "I Feel the Earth Move," while McCreery successfully backed up a soaring Alaina during "Up on the Roof." Durbin and Lusk's awkward attempt to out-wail each other on "I'm Into Something Good" was deemed something bad.

Law & Order SVU's Hargitay sues talent agency

Reuters, NEW YORK, April 28: Mariska Hargitay, who stars as detective Olivia Benson on "Law & Order: Special Victims Unit," has sued to stop a talent agency from claiming a share of her earnings from the hit NBC television show.

According to a complaint filed Wednesday in a New York state court in Manhattan, William Morris Endeavor Entertainment LLC early this month filed an arbitration claim in California seeking commissions and other sums for Hargitay's work on SVU's 11th and 12th seasons.

Hargitay said she had been a client of a predecessor firm, William Morris Agency Inc. But she said an agreement under which that firm received 10 percent of her gross earnings ended in September 2004, and that she dropped the firm in May 2009.

The arbitration claim "therefore came as a surprise" given that Hargitay never had or agreed to a relationship with William Morris Endeavor, and has paid all commissions and other sums owed, the complaint said.

William Morris Entertainment has several offices, including in New York and Beverly Hills, California, its website shows. No one at the Beverly Hills office was immediately available to comment. A call to the New York office was not answered.

Hargitay seeks a court order declaring that she has no obligations to William Morris Entertainment, awarding damages and other remedies.

Comcast Corp has a majority stake in NBC.

Grammy, Broadway producer John Cossette dies at 54

Reuters, LOS ANGELES, April 28: Broadway musical producer John Cossette, who also followed in his father's footsteps to stage the Grammy telecasts and other entertainment award specials, has died at age of 54, his family said.

Cossette served as executive producer of several Grammy Awards, along with the BET (Black Entertainment Television) Awards and Latin Grammy Award ceremonies.

He also produced the Broadway musical "Million Dollar Quartet," about the Memphis recording origins of Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash.

"We are deeply saddened to report that John Cossette, 54, has passed away. We ask that you please respect our privacy during this incredibly emotional time," his wife, Rita, and two daughters said in a statement on Tuesday.

They did not give the cause of death, nor the time or place of Cossette's passing.

Cossette was the son of Pierre Cossette, known as the father of the Grammy Awards telecast for his influence in persuading the major networks to air the annual music industry ceremony, who died in 2009 at the age of 85.

The Recording Academy, which sponsors the Grammys, described John Cossette in a statement as a "remarkable live television producer."

"However, it was his warmth, easy-going nature, passion for music and the arts, and tireless dedication to the Grammy Awards and Latin Grammy Awards that was unmatched," Neil Portnow, president of the Recording Academy, and Latin Recording Academy president Gabriel Abaroa said in a joint statement.

Shirelles and Dionne Warwick sue new Broadway show

Reuters, NEW YORK, April 28: The producers of a new Broadway musical about the 1960s girl group The Shirelles have been hit with a lawsuit charging them of pilfering the names and likenesses of the original members.

Singer Dionne Warwick, who is also portrayed in the show "Baby It's You", joined the legal action which was filed in New York Supreme Court a day before Wednesday's opening night.

Three of the four women -- surviving member Beverly Lee, who owns the trademark to "The Shirelles" name and the estates of Doris Coley Jackson and Addie Harris McFadden -- filed their lawsuit on Tuesday.

"Baby It's You!" is the story of Florence Greenberg, a suburban housewife from New Jersey who discovered the all-girl group and created Scepter Records. It has been running in preview at New York's Broadhurst Theater for several weeks.

The Shirelles had hits in the 1960s with records like "Will You Still Love Me Tomorrow," "Dedicated to the One I Love" and "Soldier Boy." They were inducted into the Rock and Roll Hall of Fame in 1996.

Oren Warshavsky, an attorney for the four, said that like many other recording artists in the 1960s, his clients were not treated well even as they were growing in popularity.

"It's unfortunate that they have to live through it again and watch their stories be told, again without their consent," he said.

The lawsuit accuses Warner Bros. Theater Ventures Inc., Warner Bros. Entertainment Inc. and Broadway Baby LLC, of "cashing in on plaintiffs' stories and successes, while using plaintiffs' names, likenesses and biographical information without their consent and in violation of the law."

Paul McGuire, a Warner Bros. spokesman, declined comment.

Warshavsky said the timing of the suit on the eve of opening night was a coincidence. The plaintiffs had been in discussions with Warner Bros., but they could not resolve their differences and took legal action, he said.

Feisty boxing mom portrayed in "The Fighter" dies

Reuters, LOS ANGELES, April 28: The mother of retired boxing champion Micky Ward, whose story was turned into the Hollywood movie "The Fighter," died on Wednesday at the age of 79, her son said.

Alice Ward was played in the 2010 movie by actress Melissa Leo, who won a best supporting actress Oscar for her performance as the feisty mother of nine children.

Dicky Eklund, the older half brother of Micky Ward, told the Massachusetts news website www.lowellsun.com that Ward died at a Boston hospital after doctors took her off life support.

"We lost the leader of our family," Eklund told the Lowell Sun. "She was a great woman, a strong woman. She taught us all what it means to be strong because she never gave up on any of us."

Ward had gone into cardiac arrest in January.

Melissa Leo also won a Golden Globe and Screen Actors Guild Award for her portrayal of Ward in "The Fighter", which also brought an Oscar for Christian Bale in his role as Eklund.

Yunus inspires French companies: envoy

Dhaka, April 26: A special envoy of French President Nicolas Sarkozy yesterday said major French companies inspired by Prof Muhammad Yunus's new theory of social business want to make investments in Bangladesh.

Martin Hirsch said Yunus is known to the French people and companies for his initiative for alleviation poverty as well as the new concept of social business that has attracted many leading French companies.

Addressing a press conference at the residence of the French ambassador in Dhaka prior to his departure ending his three-day visit to Bangladesh, Hirsch said he came to Dhaka to brief Bangladesh leaders including the prime minister on the agenda of the G-20 summit and know the latest about Grameen Bank and its founder.

"We don't interfere even one millimeter into the internal affairs of Bangladesh and its legal and judicial process," he said. "It is no more secret about the current difficulties between the Bangladesh government and Grameen Bank in the international arena."

Replying to a question over the issue of Yunus, the envoy said: "In France we are quite surprised by the incident in Grameen Bank."

Hirsch told the reporters that he handed over a letter of Sarkozy to Prime Minister Sheikh Hasina during his meeting at Gano Bhaban on Sunday.

The envoy said his country likes to see the Bangladesh government and the Grameen Bank of Prof Yunus come together to show their achievements in alleviating poverty on the international scene, especially before the G-20 summit to be held in France in November.

Source: The Daily Star

'Rio' makes nest atop the US box office

AFP, LOS ANGELES, April 26: Audiences swarmed theaters for tropical bird comedy "Rio," which nestled into its perch at the top of the box office for a second week, industry data showed Monday.

The 3-D cartoon about pet macaw Blu voiced by "Social Network" star Jesse Eisenberg, which bolts from chilly climes to the beaches of Rio de Janeiro, made $26.3 million in the Friday-to-Sunday period, according to box office tracker Exhibitor Relations.

After last week scoring the best debut weekend of the year, the film has made just over $80.8 million since its opening.

In second spot was the latest comedic offering from Tyler Perry, with the critically-panned "Madea's Big Happy Family" that made $25.1 million in its opening weekend.

In third place, starring British heart-throb Robert Pattinson and Oscar-winning actress Reese Witherspoon, was the Depression-era romance "Water for Elephants," taking in $16.8 million also on its debut.

Easter romp "Hop," the real-action-animation hybrid about the wayward son of the Easter Bunny and which had spent two weeks at the top, earned another $12.2 million on the Easter weekend for a domestic total of just over $100 million.

"Scream 4," the latest in director Wes Craven's irony-drenched horror-comedy franchise, slipped three spots to fifth in its second week with $7 million.

In sixth, also on its debut, was Disney nature flick "African Cats," narrated by Samuel L. Jackson, which documents the lives of a number of big cats on the African savanna, making $6 million in box office receipts.

The weekend box office hit list put "Soul Surfer" in the seventh spot with $5.4 million, telling the true story of church-going teen surfer AnnaSophia Robb who returns to the ocean after losing an arm in a shark attack.

Thriller "Hanna," about a teenage assassin raised in the wilds of North Finland, earned $5.3 million for eighth spot, while horror flick "Insidious," about a family in a haunted house, picked up $5.2 million in ninth.

Rounding out the top ten was Jake Gyllenhaal's acclaimed sci-fi thriller "Source Code," about a government experiment to find the bomber of a commuter train, which took $5.1 million.

Email: Commander lacked info on Sheen escort in DC

AP, WASHINGTON, April 26: A D.C. police commander who oversees police escorts apparently was unaware of details about an escort given to Charlie Sheen last week and demanded answers from his subordinates, according to an email obtained by The Associated Press on Monday.

In the email sent Wednesday afternoon to other police officials, and in response to questions from the media, Commander Hilton Burton demanded details about the escort given to Sheen on the way to his performance Tuesday at DAR Constitution Hall. Sheen, who flew into Dulles International Airport, was running late for the show after attending a child custody hearing earlier in the day in Los Angeles.

Burton is commander of the department's Special Operations Division, which generally is responsible for providing police escorts.

Sheen posted on Twitter that he had received a police escort to the show and included a photograph of a speedometer registering about 80 mph. His promotional company has repaid the city $445 for the escort.

His post read: "In car with Police escort in front and rear! Driving like someone's about to deliver a baby! Cop car lights (hash)Spinning!"

In response to a series of written questions about the escort, Burton told subordinates in the email, "This is why we should not do escorts for any and every body." Burton also demanded to know the cost of the escort, the "law that allows us to do it," where the escort came from and whether security was provided during the show. He also asked if Sheen was given an escort after the show.

Burton also asked, "Who approved it?" However, it was unclear if he was referring to security at the show or the escort.

Police Chief Cathy Lanier said on Friday that escorts were generally reserved for the president, vice president and visiting heads of state, though exceptions can be made on a case-by-case basis. She also said Sheen's escort appeared to violate police protocol.

The department's internal affairs division is investigating the escort.

Reached by the AP on Monday, Burton referred questions to police spokeswoman Gwendolyn Crump. She also declined to comment on the email.

'Rio' nests at No. 1 with $26.3M second weekend

AP, LOS ANGELES, April 26: Anne Hathaway and Jesse Eisenberg's animated hit "Rio" remains perched at No. 1 with a $26.3 million second weekend, coming in just ahead of the $25.1 million debut for "Tyler Perry's Madea's Big Happy Family."

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Hollywood.com are:

1. "Rio," Fox, $26,323,321, 3,842 locations, $6,851 average, $80,806,562, two weeks.

2. "Tyler Perry's Madea's Big Happy Family," Lionsgate, $25,068,677, 2,288 locations, $10,957 average, $25,068,677, one week.

3. "Water For Elephants," Fox, $16,842,353, 2,817 locations, $5,979 average, $16,842,353, one week.

4. "Hop," Universal, $12,185,905, 3,616 locations, $3,370 average, $100,224,905, four weeks.

5. "Scream 4," Weinstein Co., $7,030,747, 3,314 locations, $2,122 average, $31,035,010, two weeks.

6. "African Cats," Disney, $6,003,200, 1,220 locations, $4,921 average, $6,003,200, one week.

7. "Soul Surfer," Sony, $5,436,868, 2,240 locations, $2,427 average, $28,502,151, three weeks.

8. "Hanna," Focus, $5,276,801, 2,384 locations, $2,213 average, $31,717,987, three weeks.

9. "Insidious," Film District, $5,207,622, 2,130 locations, $2,445 average, $44,001,416, four weeks.

10. "Source Code," Summit, $5,091,347, 2,363 locations, $2,155 average, $44,692,591, four weeks.

11. "Arthur," Warner Bros., $4,066,109, 2,770 locations, $1,468 average, $29,216,091, three weeks.

12. "Limitless," Relativity Media, $2,664,461, 1,363 locations, $1,955 average, $74,002,055, six weeks.

13. "The Conspirator," Roadside Attractions, $2,190,440, 849 locations, $2,580 average, $6,893,123, two weeks.

14. "The Lincoln Lawyer," Lionsgate, $1,789,519, 1,220 locations, $1,467 average, $53,381,451, six weeks.

15. "Your Highness," Universal, $1,706,590, 1,610 locations, $1,060 average, $19,764,545, three weeks.

16. "Win Win," Fox Searchlight, $1,107,961, 388 locations, $2,856 average, $6,630,650, six weeks.

17. "Diary of a Wimpy Kid: Rodrick Rules," Fox, $933,540, 928 locations, $1,006 average, $50,290,531, five weeks.

18. "Atlas Shrugged: Part 1," Rocky Mountain Pictures, $881,034, 465 locations, $1,895 average, $3,096,815, two weeks.

19. "Jane Eyre," Focus, $782,372, 319 locations, $2,453 average, $7,913,203, seven weeks.

20. "Born to be Wild," Warner Bros., $652,739, 208 locations, $3,138 average, $3,075,211, three weeks. 

Mexican actress gets 30 days in marriage case

AP, LOS ANGELES, April 26: A Mexican soap opera star accused of entering a sham marriage to stay in the United States was sentenced Monday to 30 days in jail after admitting she lied during an immigration proceeding.

Fernanda Romero and her husband, Kent Ross, were both expected to avoid serving time as a result of plea bargains in the case.

However, U.S. District Judge Manuel Real noted the seriousness of the crime — the two pleaded guilty to making false statements — and ordered both to start serving their sentences on weekends beginning in June.

Prosecutors recommended Romero pay a $5,000 fine and serve five years' probation. Real agreed with placing Romero and Ross, both 28, on probation but did not require either of them to pay a fine.

"It's disappointing," one of Romero's attorneys, Vicki Podberesky, said after the hearing. "Ms. Romero is remorseful for what happened.

The Mexican-born actress has had bit roles in U.S. films such as the 2009 horror movie "Drag Me To Hell," but is perhaps best known for appearing in the Mexican soap opera "Eternamente Tuya," which means "eternally yours."

Romero and Ross' lives for the past year have played out like a telenova, with federal agents arresting them last April on suspicion of duping immigration officials about their marital status.

The couple maintain they love each other, but say their marriage fell apart partially because their courtship was so quick. The couple are not divorced.

Several former acquaintances testified against the pair at a trial last summer. And federal prosecutors presented evidence that Romero and Ross lived in separate homes, contrary to information the two provided on immigration forms.

Prosecutors also said the pair dated other people and essentially lived separate lives.

A mistrial was declared in September after jurors reported deliberations had grown hostile. A retrial was set for February, and Romero and Ross each faced five years in prison if convicted of marriage fraud and other charges. The two ended up pleading guilty to the lesser false-statement charges.

According to court documents, Romero admitted lying when she claimed Ross and her mother "hung out all the time." Ross, a musician and restaurant worker, admitted he lied when he said he and Romero lived together. Prosecutors contended Ross was paid $5,000 to marry Romero so she could obtain permanent residency.

A tearful Romero apologized for her actions during sentencing.

"This has made me grow and made me a better person," she told the judge.

Her attorneys asked for home detention and noted she has some acting commitments. But Real used his discretion, which allowed him to give Romero and Ross up to six months in prison.

"I think it was a serious offense for both of them," the judge said.

Special Assistant U.S. Attorney James Left said his office has charged people with marriage fraud before and cited extensive evidence against Romero and Ross as a reason for bringing charges against them.

Podberesky, though, said officials made an example of her client because she is an actress.

"There are thousands of these cases, and there aren't thousands of these cases in federal court," she said.

Romero is involved in an immigration hearing and could be deported depending on the evidence presented by Immigration and Customs Enforcement officials.

Levi Johnston to pen tell-all book on Palin family

AP, ANCHORAGE, Alaska, April 26: Levi Johnston is promising to set the record straight about the Palin family.

Touchstone Publishing has a fall publication date for Johnston's book, "Deer in the Headlights: My Life in Sarah Palin's Crosshairs."

Johnston fathered a child with Bristol Palin, the daughter of the former Alaska governor, when they were teenagers. The pregnancy was announced days after Palin was selected as the 2008 GOP vice presidential candidate. The couple broke up after the birth of their son, Tripp, and reconciled briefly.

He's had a contentious relationship with the Palins.

Johnston says the book, first reported by People.com Monday, will "tell the truth" about that relationship, including his "sense of Sarah and my perplexing fall from grace." He says he's doing it "for me, for my boy Tripp and the country."

Fieri joins Calif. lawmakers to push family meals

AP, SACRAMENTO, Calif., April 26: Guy Fieri was back on the road Monday, this time not to find hole-in-the-wall eateries but to support California politicians telling parents to cook with their children every Sunday.

Standing outside the state Capitol, the celebrity chef lamented the rise of drive-thrus and microwave dinners in place of sit-down, home-cooked meals.

Fieri, known for his boisterous style in the Food Network's "Diners, Drive-ins and Dives," said that by making cooking a shared activity, parents could bring their families closer together and encourage healthy eating habits in children.

"Let them stand there and work the saute pan, let them do the plate up, let them deliver it to the family," said Fieri, sporting his trademark platinum blond hair, cowboy boots and sunglasses worn on the back of his head. "Start them off slow. Educate them as you go."

He went on to visit the state Senate, which adopted a resolution urging the weekly meals, as well as the Assembly, where the resolution now awaits action.

The resolution by state Sen. Anthony Cannella, R-Ceres, follows a 2008 initiative that Fieri helped draft to label the second Saturday in May "Cook With Your Kids Day."

Fieri owns several restaurants in California and hosts two shows on the Food Network and the NBC game show "Minute to Win It."

'Rio' makes nest atop the US box office

AFP, LOS ANGELES, April 25: Audiences swarmed theaters for tropical bird comedy "Rio," which nestled into its perch at the top of the box office for a second week, industry data showed Sunday.

The 3-D cartoon about pet macaw Blu voiced by "Social Network" star Jesse Eisenberg, which bolts from chilly climes to the beaches of Rio de Janeiro, made $26.8 million in the Friday-to-Sunday period, according to box office tracker Exhibitor Relations.

After last week scoring the best debut weekend of the year, the film has made just over $81 million since its opening.

In second spot was the latest comedic offering from Tyler Perry, with the critically-panned "Madea's Big Happy Family" that made $25.7 million in its opening weekend.

In third place, starring British heart-throb Robert Pattinson and Oscar-winning actress Reese Witherspoon, was the Depression-era romance "Water for Elephants," taking in $17.5 million also on its debut.

Easter romp "Hop," the real-action-animation hybrid about the wayward son of the Easter Bunny and which had spent two weeks at the top, earned another $12.4 million on the Easter weekend for a domestic total of just over $100 million.

"Scream 4," the latest in director Wes Craven's irony-drenched horror-comedy franchise, slipped three spots to fifth in its second week with $7.1 million.

In sixth, also on its debut, was Disney nature flick "African Cats," narrated by Samuel L. Jackson, which documents the lives of a number of big cats on the African savanna, making $6.4 million in box office receipts.

The weekend estimates showed "Soul Surfer," in the seventh spot with $5.9 million, telling the true story of church-going teen surfer AnnaSophia Robb who returns to the ocean after losing an arm in a shark attack.

Horror flick "Insidious," in which a family finds itself living in a haunted house, picked up $5.3 million for the eighth spot, while "Hanna," a thriller about a teenage assassin raised in the wilds of North Finland, earned $5.2 million for the ninth spot.

Rounding out the top ten was Jake Gyllenhaal's acclaimed sci-fi thriller "Source Code," about a government experiment to find the bomber of a commuter train, which took $5.06 million.

Russians 'never, ever had sex in space': official

AFP, MOSCOW, April 24: Russian or Soviet cosmonauts never had sex in space in the 50 years of human exploration of the cosmos. And that's official, according to a Russian expert. As for Americans, well, you'd better ask them.

"There's no official or unofficial evidence that there were instances of sexual intercourse or the carrying out of sexual experiments in space," Valery Bogomolov, deputy director of the Moscow-based Institute of Biomedical Problems told the Interfax news agency.

"At least, in the history of Russian or Soviet space exploration this most certainly was not the case," said Bogomolov.

Rumours have persisted for years of secret Russian and American programmes to test the effects of weightlessness on sex but this has always been strongly denied by both sides.

"As for American space exploration, well, I just don't have the information to categorically deny that," said Bogomolov. "There are just anecdotal rumours which are not worth trusting," he added.

Fasting Mexican gets her wish to see royal wedding

AFP, MEXICO CITY, April 24: A 19-year-old Mexican woman who fasted for 16 days in a bid for an invitation to the royal wedding of Prince William has finally been granted her wish.

Estibalis Chavez will be flown to London for the April 29 nuptials thanks to an anonymous benefactor, according to the Mexico daily, Milenio.

Chavez camped out in front of the British Embassy in Mexico City in February, refusing to eat, although officials at the embassy had told her she was fasting in vain.

Chavez lost 17 pounds (eight kilos) during her fast, and painted a portrait of Prince William and his fiance Kate Middleton, which the embassy also refused to deliver.

"I've been a fan of Lady Di since I was little and my mother's a fan as well," said Chavez. "And I promised myself I would go to a royal wedding," she told AFP during her fast.

Work on 17 govt schools, colleges in city soon

The government has decided to build 11 more secondary schools and six colleges in Dhaka city to ease the seat crisis in government educational institutions in the capital where the pressure of population is increasing rapidly.

Education ministry sources said that construction of the schools and colleges would start soon.  Prime minister Sheikh Hasina is expected to launch the project soon by laying the foundation

of one school and one college at Kalu Nagar of Hazaribagh in the Old Town of Dhaka.

Education minister Nurul Islam Nahid visited the sites selected for construction of the schools and colleges on Friday.

The sites for nine government schools and six colleges have already been selected.

One school and one college will be built at Hazaribagh, one school and one college at Mohammadpur, one school and one college at Pallabi, one school and one college at Sabujbagh, one school and college at Badda, one school at Uttarkhan in Uttara, one school at Shyampur, one school at Mirpur Darussalam and one school and one college in Mirpur's Bhasantek area.

The work on the Taka 435 crore project will start in July 2011 which is expected to complete in June 2014.

At present, there are 24 government schools and 11 government colleges in Dhaka city.

Source: New Age

BEA wants good law and order, economic progress

Bangladesh Economic Association president Qazi Kholiquzzaman Ahmad on Friday said the law and order should be maintained and people's rights ensured to overcome the country's economic challenges.

He said the country's macroeconomic situation will be strengthened if the socio-economic issues are rightly addressed in the national budget and the law and order is established.

Development will be meaningless, if we fail to establish the rights of people, he told a press briefing on 'Bangladesh Social and Economic Forum' at the BEA office in the capital.

The Dhaka School of Economics is organising the six-day forum with the support of the BEA. The theme of the forum is 'Bangladesh: A country of middle standard of living by 2021: pathways, potentials and challenges'.

Kholiquzzaman said the objective of the forum was to bring together experts and interested people from different walks of life and review a number of selected sectors of the economy and the society.

The forum will come up with action programmes to overcome the identified constraints and improve performance.

BEA secretary general Toufic Ahmad Choudhury also spoke at the press briefing.

He said, 'We will focus on the present economic situation and the ways to move forward.'

He mentioned that the issues of macroeconomic performance, regional connectivity, agricultural development, sixth five-year plan, human development, effectiveness of regulatory bodies, public-private partnership, local governance: ensuring transparency, effectiveness of external assistance, promoting trade with SAARC countries, financial stability of and risk management in the banking sector, and a number of other socio-economic issues will be discussed in the forum.

The BEA established the Dhaka School of Economics in April 2008.

Source: New Age

Govt not sincere about CHT treaty: Santu

The Awami League has not taken any step in its 28-month rule to implement the Chittagong Hill Tracts Treaty, Jyotirindra Bodhipriya Larma, who signed the deal with the government on behalf of the hill peoples in 1997, said on Friday.

Jyotirindra Bodhipriya Larma, popularly known as Santu Larma, who is the president of Partbatya Chattagram Jana Sanghati Samity, made the allegation in the 11th central council session of Parbatya Chattagram Mahila Samity held in Rangamati outer stadium.

He said the love and responsibility the prime minister had shown for the hill people 13 years ago seemed to have become thinned as she was not keeping her words at the pressure from certain quarters.

Larma said the hill people would become extinct if the orchestrated attacks on them continued and cited the recent deadly attacks on hill people at Baghaighat, Langadu, and Ramgarh as examples of the process of elimination. He also branded the United People's Democratic Front a terrorist outfit and demanded that it should be banned.

Santu Larma also criticised state minister for CHT affairs Dipangkar Talukder for not keeping his words. 'Neither the Awami League nor Dipankar is interested in implementing the CHT treaty. He has not taken any step so far in this regard.'

Santu said the hill people who became leaders of the mainstream political parties like Awami League, BNP, and Jatiya Party were in politics to serve their own interests, not the interests of the hill people.

JSS leader Mangal Kumar Chakma, social activist Nilima Chakma, MN Larma Foundation convener Bijoy Ketan Chakma, Pahari Chhatra Parishad president Bablu Chakma, and Hill Women Federation leader Jonaki Chakma also spoke in the programme chaired by Jyoti Prova Chakma.

Source: New Age

Info and services centres in 100 more unions likely

The government is going to digitise a hundred more union councils to facilitate dissemination of information and delivery of government services.

Under the 'Empowering rural communities: reaching the unreached' project, 100 union information and service centres will be set up. The project is now waiting for government approval.

The Bangladesh Computer Council's senior system analyst Tarique M Barkatullah said that the project would help to establish a digital Bangladesh and make government information available at the grass roots.

Tarique said that the centres would try to reach out remote areas such as coastal belt, Chittagong Hill Tracts, hoars, Sundarban forest, areas in the north vulnerable to monga and river erosion.

'The centres will provide services such as downloading of government forms, government notices and announcements, addresses and services of local government entities, and information on immigration, passport, visas, citizenship certificates, market price, public examination results and birth and death registration,' he said.

He also said that the centres would also provide commercial services such as internet, e-mail, video conferencing, mobile service and computer training.  'Some of the centres, in off-grid areas, will run on solar power.'

Tarique said that each of the 100 union centres would have two local officials to run the centres while one of them would be female.

He said that each of the centres would be given two laptops, a printer, a scanner, a webcam and internet connection.

He said that among the South Asian Association for Regional Cooperation's members, Bangladesh, the Maldives, Bhutan and Nepal jointly proposed the project.

The officer said that the SAARC Development Fund Secretariat on March 24 had approved the project proposal with a total budget of $7,938,335.

'The project proposal submitted to the government through the science and ICT ministry on April 12,' he said, adding that the project would be implemented in public-private partnership.

He said that after the government approval, the project budget would be released and a tender would be floated to be followed by manpower appointment.

'We will float the tender in May,' he added.

On November 11, 2010, the prime minister, Sheikh Hasina, launched UISCs in 4,501 unions to provide people with online and offline facilities at the centres for a nominal price.

Source: New Age

H&M wants annual review of apparel worker wages

Kazi Azizul Islam

Hennes & Mauritz AB, a Sweden-based global retail giant which is a major importer of apparels from Bangladesh, has suggested that the government here should create a mechanism for automatic annual review of workers' wages on the basis of cost of living.

The company considered the recent increase of the wages of garment workers in Bangladesh was a required and positive move.

'While we appreciate this [upward revision of garment workers' minimum wages in August 2010] is a step into the right direction,' read an H&M statement.

'We still request that the [Bangladesh] government creates a mechanism for automatic annual wage reviews to ensure that minimum wages develop in line with living costs.'

The statement came in the annual sustainability report, released last week, by the Stockholm-based retail giant.

Referring to August 2010 increase on the wages of workers by 67 to 81 per cent, depending on job categories, H&M said, 'We regard minimum wages or equivalent standards as competition neutral and these increases can only be regarded as positive.'

H&M categorically admitted that importers and buyers of garments have much to do in ensuring fare wages to the workers. 'Where minimum wages are too low, we can use our influence to demand systematic improvements.'

The company recalled that in January 2010, it, together with a number of other companies [importers and retailers of made-in-Bangladesh garments], sent a letter to the government of Bangladesh requesting an urgent review of the minimum wages of the garment workers.

In Bangladesh, the government does not review minimum wage levels regularly, H&M pointed out. 'And systems for employees to negotiate directly with their employers are generally not sufficient.'

Industry sources said H&M is one of the top five importers of Bangladeshi garments and its sourcing increased rapidly in recent years.

Daily minimum wage of a Bangladeshi garment worker is about $1.5 while it ranges between $2 and $6 in other major apparel exporting countries.

Source: New Age

Bollywood tribute to screen at Cannes: organisers

AFP, PARIS, April 23: A film celebrating the history of India's musical cinema, "Bollywood -- the greatest love story ever told", will be screened at this year's Cannes Film Festival, organisers said on Friday.

The movie, produced exclusively by acclaimed filmmaker Shekhar Kapoor for the festival that opens on May 11, pays homage to a genre "that has contributed to establishing India?s identity in the eyes of the world and to making Mumbai one of the world capitals of film history," said a statement.

"We love it. We hate it. We see it as regressive. We see it as modern. We need to breathe it to feel alive. Some say it is the only culture that holds India together," it quoted Kapoor as saying.

"Some say it gives identity and individuality to 25 million Indians that have left her shores and whose third generations that are still addicted to it. That?s Bollywood!"

After `FNL,' movies beckon for Taylor Kitsch

AP, NEW YORK, April 23: For fans of TV's "Friday Night Lights," the sight of a groggy Taylor Kitsch is a familiar one. On the acclaimed small-town Texas drama, Kitsch plays the hard-drinking Tim Riggins, who perpetually rolls out of bed bleary-eyed.

The reason Kitsch was a little sluggish at a recent morning interview at a Manhattan hotel, though, is because he had been working late the day before on the movie "John Carter of Mars" and then flew overnight to New York for the Tribeca Film Festival screening of his latest film, "The Bang Bang Club."

In it, Kitsch plays South African war photographer Kevin Carter, whose work in early 1990s Sudan earned him a Pulitzer Prize. Carter killed himself in 1994.

Kitsch's portrayal of Carter — at turns brilliant and self-destructive — is a promising sign of the actor's budding movie career.

The film, which also stars Ryan Phillippe, is based on photographer Greg Marinovich and Joao Silva's book "The Bang-Bang Club: Snapshots From a Hidden War." It chronicles the adventures of a group of hard-living photojournalists while covering the violence of post-Apartheid South Africa.

The fifth and final season of "Friday Night Lights" is still airing on NBC, but Kitsch has already lined up a number of movie projects, including "John Carter of Mars," Andrew Stanton's first live action film after making "WALL-E" and "Finding Nemo"; "FNL" executive producer Peter Berg's "Battleship"; and Oliver Stone's "Savages." "The Bang Bang Club" opened in theaters Friday and is also available on video-on-demand from Tribeca Film.

The 30-year-old, British Columbia-born actor is considered a swoon-worthy heartthrob. But in person, he mainly comes off as an earnestly excited young actor, eager, as he repeatedly says, to "push it" and "never be outworked."

"Diving in and disappearing. That's what I feel it's about," says Kitsch, unshaven and slightly shrouded by a worn baseball cap. "It's no fun if you watch Kitsch on screen. I'm just boring and passive-aggressive."

"The Bang Bang Club," which highlights the great bravery of combat photographers, has particular meaning after the deaths Wednesday of photographer Chris Hondros and photographer-filmmaker Tim Hetherington in Libya.

"It's unreal what these guys sacrifice," says Kitsch. "If anything, it's an education to see (the movie), and hopefully you're along for the emotional ride with these guys. You're getting an understanding of how these guys risk themselves."

Marinovich, a Pulitzer Prize-winning photographer, was struck by how much the actors resemble himself and his colleagues when they were younger. But Marinovich (who is played by Phillippe in the movie) cautions that the film — which is quite stylized — is an exaggerated, fictionalized version of the real events and his book.

For Kitsch, the role was enormously challenging. He set about losing a great deal of weight, dropping 35 pounds in two months. Leaving the character behind was also difficult: Kitsch needed counseling to help him transition back after the film.

"It was just the emotional toll and the pressure of playing someone who's passed on — doing the legacy that they left justice," said Kitsch, who shadowed photographer Jeff Lipsky to train for the part. "It felt like I could never do enough prep. I could never take enough photos. I could never work with the Leica (camera) enough."

Director Steven Silver was impressed by Kitsch's dedication.

"Taylor in all likelihood will become a movie star, but he already is a very serious actor," says Silver. "Taylor very much became Kevin Carter for the period we were shooting `The Bang Bang Club' and he had difficulty shaking the role. All of that is a testament to how seriously he takes what he does."

For "FNL," Kitsch turned to Gary Oldman for inspiration. He says he based much of Riggins, a womanizing football star and a weary, reluctant hero, on Oldman's gangster in "State of Grace."

"It's long hair, it's grease. On the pilot and once we got picked up, I was sitting in make-up and hair, and I was like, `No, more grease. No, more.' I was like, `This is how he is,'" Kitsch says.

The series, considered by many to be the finest, most humanist TV show in years, catapulted Kitsch to stardom. But it also served as a rewarding incubation in a family atmosphere production. The show was filmed with handheld cameras and in real environs, giving it an almost documentary feel.

Among Kitsch's memorable adlibs was calling other players by their numbers (QB Jason Street, for example, is called "Six" for much of the show), a habit Kitsch picked up from playing hockey. (A knee injury ended his early hockey aspirations.)

"I don't think I'll ever forget playing (Riggins)," says Kitsch. "I miss the process. I miss working with Kyle (Chandler). I miss working with Derek (Phillips). And just the freedom. ... It was a ride. I loved it."

Kitsch launched his acting career when he moved to New York in 2002 to study acting with coach Sheila Grey. He did some modeling and had roles in the 2006 movies "Snakes on a Plane" and "The Covenant."

He was able to shoot an occasional film on the side during the five years of "FNL" ("X-Men Origins: Wolverine"), but there's a sense that his movie career is now taking root. Kitsch is quick to caution, though, that he still lives in Austin, Texas, where "FNL" was filmed, and far away from Hollywood extravagance.

"What was calling was new challenges, new endeavors, regardless what it was — something to keep growing through," says Kitsch. "You get these little bits. You go in and work with (Hugh Jackman) for two weeks and then you come back (to 'FNL'). It was like this little tease that kept happening, and I was just excited to keep challenging myself and keep going."

Lohan gets jail sentence for probation violation

AP, LOS ANGELES, April 23: Lindsay Lohan was led from a Los Angeles courtroom by several bailiffs after a judge who heard evidence against the actress in a theft case Friday sentenced her to 120 days in jail for a probation violation

Lohan's attorney, Shawn Holley, said she will appeal the ruling, which will allow the actress to post bail, which was set at $75,000.

The "Mean Girls" star also was ordered to serve more than 400 hours of community service, including 300 hours at a women's center.

It will be Lohan's fourth jail stint.

The ruling came after Sautner reduced Lohan's grand theft case down to a misdemeanor and after prosecutors gave their case against the actress. Sautner ruled that prosecutors had shown that Lohan violated her probation on a 2007 drunken driving case. The judge refused to dismiss the theft case against Lohan.

"I see the intent here," Sautner said. "I see a level of brazenness with `Let me see what I can get away with here.'"

But Sautner also said she often sees more serious cases that get reduced to lesser charges and that she wanted to give the Lohan "an opportunity."

Lohan, 24, entered a not guilty plea Friday.

She has been a courthouse fixture since last May when she missed a hearing in her drunken driving case. Since then, two judges have sent her to jail twice and rehab, also twice.

She arrived at the courthouse wearing a black long-sleeve shirt, blue trousers and a scarf. She often conferred with her attorney throughout Friday's hearing, at times scribbling notes and shaking her head at some of the testimony. She showed no real reaction as the judge handed down her sentence.

On Wednesday, Fiore Films announced it had cast the actress to play the wife of John Gotti Jr., the son of the infamous mob boss dubbed the "Teflon Don," in a biopic of the family. The project, title, "Gotti: Three Generations," is scheduled to begin shooting later this year in Lohan's native New York.

In an interview with the AP, Lohan said she was eager to put her court cases behind her and once again be known as an actress.

"I'm really excited to be back on set and clear up all the misinterpretations about me and show this is what I love to do," Lohan said.

"I think in the past, I had a lot of distractions," she said. "I've learned a lot. I've lived a lot. When I'm on set, it's about the film."

Masi Oka lands script deal at Syfy cable network

Reuters, LOS ANGELES, April 23: Masi Oka is teaming up with writer Alex Sabeti on an "Inception"-esque pilot script for U.S. cable network Syfy.

"The Correctors" follows two agents of the Exceptions Bureau who are dispatched to a parallel universe where they inhabit the bodies of their identical selves in order to stop events from occurring.

The time-travel elements and changing the course of history were key in the plot of NBC's now-defunct "Heroes," where Oka played a Hiro Nakamura, who could bend the space-time continuum.

Sabeti and Oka developed the story and Sabeti will write the script with Oka attached to star and executive produce.

Oka has had a recurring role on CBS' "Hawaii Five-0" this season.

Syfy has become a player in ad-supported cable's scripted arena. Last January's bow of "Being Human" was the net's most successful winter scripted series since "Battlestar Galactica" in 2005. The show, an adaptation of the popular BBC series, averaged 1.9 million viewers per episode.

In July, Syfy will launch a new Monday-night scripted block with new seasons of "Eureka," "Warehouse 13" (Syfy's most-watched series averaging 3.4 million viewers last season) and new drama "Alphas," while "Haven" returns Friday, July 15.

"Boardwalk Empire" star sued by reality star

Reuters, NEW YORK, April 23: "Boardwalk Empire" star Paz de la Huerta is being sued by a reality star whom she allegedly attacked last month.

In a law suit filed Friday in New York City, Samantha Swetra, who starred on MTV's "The City," claims she suffered permanent injuries after the HBO actress punched her and then threw a glass at her, cutting her leg, in a posh hotel bar.

Swetra was "assaulted, beaten and battered" so viciously that she sustained "severe" physical and emotional injuries ... "some of which injuries are permanent in nature," the law suit reads.

Swetra is suing for unspecified damages.

De la Huerta was arraigned Tuesday in New York on assault and other charges related to the incident. De la Huerta's lawyer said at the time that she is "asking people not to rush to judgment."

NBC's "Paul Reiser Show" sinks lower in ratings

Reuters, LOS ANGELES, April 23: Things aren't looking good for "The Paul Reiser Show" on U.S. network NBC.

After debuting with anemic ratings, the half-hour comedy sank even lower on Thursday, drawing 2.5 million viewers and a 0.9 rating in the key 18-49 demographic, down 18 percent. Meantime, its lead-in, a clip show-inspired "Community" (3.3 million, 1.5) that had viewers raving online, was up 7 percent.

Prepping for Steve Carell's exit from "The Office" next week, the Dundie Awards episode saw a double-digit decline, while "Parks and Recreation" (5.1 million, 2.5) and the hourlong 100th episode of "30 Rock" (4.5 million, 2.2) were both steady. NBC placed second on the night with a 2.1 in the demo.

Fox won the night in the demo (4.4) and viewers (15.3 million) with "American Idol" (19.6 million, 5.6) paving the way, retaining 96 percent of its audience from last season in 18-49. "Idol" is also up 2 percent in viewership versus the same period. Following "Idol," "Bones" (11.1 million, 3.2) aired the backdoor pilot for "The Finder," starring Geoff Stults, down 9 percent, but was still the most-watched scripted program of the night.

The CW's "The Vampire Diaries" (2.7 million, 1.1), which had a big revelation with pivotal character Klaus, was down with "Nikita" (1.9 million, 0.8) dropping in viewers.

Global media swoop for royal wedding extravaganza

AFP, LONDON, April 22: If your invitation to the royal wedding never arrived, fear not -- thousands of journalists will cover every detail for a global audience of billions in what's been dubbed the media event of the year.

Television networks and print and online journalists from Manila to Mexico City are descending on London to cover the wedding of Prince William and Kate Middleton, the first of its kind in the age of the Internet and 24-hour news.

Ministers expect two billion people worldwide to watch the event on TV, a figure that is impossible to check but looks certain to eclipse the estimated 750 million who watched William's parents Prince Charles and Diana wed in 1981.

Huge sums of money are changing hands for footage of the ceremony at Westminster Abbey, which will be filmed by the BBC, as well as for the best spots to photograph the couple's first kiss on the Buckingham Palace balcony.

Meanwhile websites have mobilised as they would for a football World Cup or Olympic Games, with endless videos, quizzes and photo slide shows.

"It's the major media event this year, because it's a happy event," said Max Clifford, Britain's leading public relations consultant. "All we've had so far this year is one tragedy after another, what with wars and earthquakes."

The BBC will deploy at least 550 staff on the day, using about 100 cameras in Westminster Abbey and along the procession route to provide a live feed to dozens of countries and footage to many more.

About 140 broadcast trucks are expected to set up in Green Park near Buckingham Palace and 48 television studios have been purpose-built nearby in what is thought to be largest outside broadcast ever seen.

Christopher Wyld, director of the Foreign Press Association in London, says he has never seen anything like it.

"There is much greater interest in this than in anything else, including the financial crisis," he told AFP.

Interest is particularly keen in the United States and Commonwealth countries, although Germany is giving them a run for their money with plans to screen the wedding live in 16 cinemas across the country.

The wedding will also be shown live in Pakistan, where the newspapers have had daily coverage of the build-up, as well as Malaysia and the Philippines, and the FPA has also reported huge interest from China, Mexico and Brazil.

Eurovision television meanwhile will make a live feed available to 62 broadcasters in Europe on the day, with a potential audience of 260 million.

Teams of journalists are expected from Australia, Canada and New Zealand, while in the United States, cable news network CNN is sending 50 of its staff to cover the event, including star presenters Anderson Cooper and Piers Morgan.

The time difference will play havoc with some of the coverage -- the 11:00am ceremony in London is 6:00am in New York, and 3:00pm in Islamabad -- but this has done nothing to dampen the enthusiasm.

Wyld attributes the frenzied interest to the enduring appeal of Diana, who died in a car accident in 1997, and by association her eldest son.

"She was right up there as probably the biggest celebrity ever. William is ueber-celeb. That is what it is about," he said.

"It's a brilliant, fabulous soap opera in the sense that it has absolutely top production values, the most fantastic storyline, fabulous costumes, the best sets available -- it's unbeatable."

Martin Rogers, the royal correspondent for Yahoo!, told AFP the wedding was a "priority" for the website, adding: "This event is unique as it does not fall neatly into one set category.

"As a result, from Yahoo!'s perspective, it is a combined effort, pooling resources from news, showbiz, features, fashion and sports."

Media organisations will certainly want to spread the huge costs of the operation, and hope the coverage will boost advertising rates and sales.

Photographers' positions outside the palace are selling for £900 ($1,500, 1,000 euros) each, and one broadcasting source said that one minute of footage from the ceremony "will be the most expensive minute we have ever bought".

NYC grand jury indicts 2 in DJ Megatron killing

AP, NEW YORK, April 22:A New York City grand jury has indicted two men on murder charges in the shooting of radio and TV personality DJ Megatron.

The indictment against William Williams and Richard Cromwell was unsealed Thursday. The men are being held. Their attorneys say they're not guilty.

DJ Megatron was shot in the chest while walking to a store near his Staten Island home March 27.

The 32-year-old disc jockey worked on BET's "106 & Park" music countdown series, mainly in a role interacting with its live audience. He also did on-camera work for the show and for BET's website. His given name was Corey McGriff.

HBO movie revisits Loud family, reality TV's roots

AP, LOS ANGELES, April 22: A family living the good life in Southern California lets film cameras document what mom, dad and the five kids are up to, and the nation is shocked.

The gut-punch to the collective midsection is in part because viewers witness the parents' separation and a son reveling in his cheeky, pre-gay-rights flamboyance. But it's really the sheer gall of this exhibitionist family — the narcissism! The lack of propriety! — that is offensive.

Welcome to the reality of America circa the early 1970s, before privacy became a quaint notion and the narrow concept of oversharing meant anything more revealing than dad's account of his day at the office.

The HBO movie "Cinema Verite," debuting 9 p.m. EDT Saturday, revisits that bygone era and the filming of "An American Family," PBS' series that put the affluent Santa Barbara clan of Pat and Bill Loud on display for 12 shattering episodes in 1973.

The Loud marriage splintered under the weight of Bill's infidelity and, it seems, from the strain of facing their problems in cinematic close-up. And television caught a whiff of the heady scent of reality TV that, decades later, has become a full-fledged addiction for the medium and its audience.

"Cinema Verite," starring Tim Robbins and Diane Lane as the Louds and James Gandolfini as Craig Gilbert, the filmmaker who lures them into uncharted waters, effectively and artfully details the messy, painful roots of the genre that began so improbably on high-minded public television.

We see Gilbert waltz into the Louds' lives, sweeping homemaker Pat off her feet with his proposal for a Margaret Mead-style anthropological study, a slice of 20th-century U.S. family life to thwart "The Brady Bunch" sitcom fantasy from standing as the record.

Gilbert and his crew, including documentarians Alan and Susan Raymond (played by Patrick Fugit and Shanna Collins) quickly take over the family's life. As "Cinema Verite" has it, the move delights friends and neighbors eager for a tiny slice of the fame pie but dismays their adolescent children. The exception is drama king Lance (Thomas Dekker), who was made for this moment.

Filming was a costly and awkward process in those days before the widespread use of videotape, with bulky cameras and sound equipment shoved into and dominating the family's once-personal space. Ignoring their presence was impossible and the Louds are depicted as alternately playing to the lens or fruitlessly trying to avoid its sway.

Pat Loud emerges as the hero of the piece, a loving if indulgent mother and a vivid example of someone trying to meet long-held expectations for women and family as once-rare divorce and other social upheaval pound on complacent suburbia's front door.

For Lane, "Cinema Verite" offered the chance to become enmeshed in a character that, the actress said, reflected the period's "shifting status and power of women. ... That's fascinating to me and, from a gender point of view, selfishly fascinating to watch."

Gilbert verges on filling the villain's role, with his intellectual passion shown diluted by a producer's zeal for a boffo project. But Gandolfini's portrayal is sympathetic: The actor met several times with Gilbert, now in his 80s, who Gandolfini says was so stung by the brutal attacks on `An American Family' that he never made another film.

Those behind "Cinema Verite" said they were careful to research and represent each participant's viewpoint.

"We wanted to make a film that wasn't judgmental," said co-director Shari Springer Berman. "I felt all the people involved in making `An American Family' were naive and innocent. There was no precedent and not one of them knew what they were getting into."

Some 10 million viewers made the series a hit, if a loaded one, for PBS. The relatively modest-sized audience by broadcast network standards was magnified by media attention, including a Newsweek magazine cover story, outraged opinion pieces and damage-control talk show visits by the embattled Louds and Gilbert.

Mead herself deemed the series as significant as "the invention of drama or the novel" and a new way to look at the world by seeing "the real life of others interpreted by the camera."

The title reference to cinema verite — the fly on-the-wall, observational school of filmmaking as exemplified by such acclaimed practitioners as Frederic Wiseman — is just as ironic as the label "reality TV" is for "The Bachelor," "Big Brother," "Jersey Shore" and the rest of the manipulated, manipulative pack.

"An American Family" included such contra-verite elements as participants addressing the camera and narration. One scene in the HBO film depicts Gilbert as inserting himself into a tense encounter between Pat and Bill Loud to fan the flames of their marital discord so it may be appropriately captured on celluloid.

"Cinema Verite" tucks in brief clips from "An American Family," juxtaposing the real people against the actors portraying them. It was a calculated decision to do so, said husband-and-wife directors Springer Berman and Robert Pulcini, who are documentary filmmakers and earned an Oscar nod for the screenplay of "American Splendor."

("Cinema Verite" was written by David Seltzer, whose credits include "The Omen," adapted from his novel, and "Willy Wonka and the Chocolate Factory." Among its executive producers is Gavin Palone, "Curb Your Enthusiasm" and "Gilmore Girls.")

The "American Family" snippets were included to remind viewers "that these were real people and this really happened," said Springer Berman. "It's so easy to remove oneself from that."

It's far less easy to jettison the baggage saddling the PBS series' participants and filmmaker Gilbert. Today's Louds — Pat and Bill reunited after divorcing; Lance died in 2001 at age 50 of an HIV and hepatitis C co-infection — declined to consult on "Cinema Verite."

Probably "rightly so. They were burned so many times before," said director Pulcini. Family members did attend a recent screening, however, and told the actors they liked the film.

"An American Family" and the development of cheaper, more utilitarian videotape ultimately begat "The Real World," whose creators have cited the PBS series as inspiration, Pulcini said. The long-running MTV series' offspring have multiplied and morphed, expanding and solidifying the reality TV genre.

Despite the elapsed decades, those involved with "Cinema Verite" consider "An American Family" a relevant cautionary tale for people who eagerly open their lives for public scrutiny and entertainment.

"I'll tell you one thing that was very clear," Gandolfini said. "I don't think one person I sat down with said, `Oh, what difference does it make' or, `The past is past.' Every one of them said, `This isn't what happened.'"

After 40 years, they're still angry, he said. "This wound is not healed, by any means." 

In Argentina, Vargas Llosa insists on free speech

AP, BUENOS AIRES, Argentina, April 22:Nobel Prize-winning author Mario Vargas Llosa thanked Argentina's president Thursday for preventing Argentine intellectuals from blocking his keynote address at the nation's annual book fair.

The Peruvian writer said that he hoped Cristina Fernandez's insistence on freedom of expression would be contagious in Argentina, and that her followers also respect the right of everyone to share ideas, including opposition newspapers that feel threatened by her government.

Vargas Llosa is a fierce defender of personal and economic liberties who has criticized the policies and alleged corruption of the Fernandez government.

The presence of the author of "The Feast of the Goat" at the book fair was opposed by intellectuals close to the government as well as administration officials unhappy with Vargas Llosa's criticisms.

The writer thanked Fernandez for intervening when the book fair's organizers were under pressure to withdraw his invitation.

In his speech Thursday night, Vargas Llosa said books "have always brought out jealousy among enemies of freedom, who believe they are owners of absolute truth."

He said that "Nazis, fascists, communists, military and civilian strongmen blinded by the owners of absolute truth have tried to tame the critical spirit that has always been the engine of change. Fortunately they have always failed, but they have left victims along the way."

The debate in Argentina is whether private media corporations or government-supported media pose the bigger threat to free speech.

Human rights leader Hebe de Bonafini, a close Fernandez ally, gave Vargas Llosa a petition before his speech asking that the Argentine media company Grupo Clarin include her organization's TV program in its cable offerings. There were no other incidents surrounding the event, despite expectations of protests.

Comedians raise $750,000 to end malaria in Africa

AP, LOS ANGELES, April 22: Conan O'Brien compared his career to Charlie Sheen's and Sarah Silverman, not surprisingly, sang a song with a foul refrain. But it was all for a good cause.

Malaria No More said Thursday that the performances at last week's "Hollywood Bites Back" comedy show helped raise $750,000 toward ending malaria in Africa.

Its Comedy Fights Malaria campaign is raising awareness that the preventable, curable disease eradicated in the United States six decades ago still kills nearly 800,000 people a year in Africa.

Celebrities such as John Mayer, Orlando Bloom, Ted Danson and Elizabeth Banks recorded public service announcements about the disease, which reached millions nationwide and culminated in the live comedy show.

Dr. Dre wins judgment over "Chronic" reissue

Reuters, LOS ANGELES, 22: Dr. Dre has emerged victorious in a lawsuit against his former label, which put out a new version of his iconic album "The Chronic" and a greatest hits collection, without his permission.

Dre, whose real name is Andre Young, claimed that the digital release of his early work violated a 15-year-old contract that guided how such material would be presented to the public.

The lawsuit stems from his days at "gangsta" rap label Death Row Records, which he co-founded. The label later suffered financial problems and has emerged under new corporate ownership as WIDEawake Death Row Records.

In 1996, he left Death Row to set up a new shop at Interscope Records, and bought his freedom by disclaiming his ownership interest in both Death Row and the sound recordings he had produced there.

But Dre also didn't want his legacy tarnished, so in a 1996 deal, he sought some measure of security in how Death Row presented his recordings by making the label agree not to distribute any of his songs except "in the manners heretofore distributed."

One of the first releases for the new WIDEawake Death Row Records was a digital re-issue of "The Chronic" as well as a Dre greatest hits collection. Dre then sued.

The issue of artistic control and profit participation in digital releases of old work has been a sore subject for the past decade. Other artists such as Pink Floyd have sued, contending their works were only meant to be distributed as albums, not singles in venues like Apple's iTunes. Some producers, like the one guiding Eminem's early career, have successfully argued they should be entitled to higher royalty rates from record labels for digital distribution of their work.

In Dre's case, the issue turned on his artistic intention and an examination of contracts made during the formative period of his career. Arriving at a conclusion here wasn't easy. Most of the agreements made between Dre and the folks running Death Row at the time were oral ones, subject to differing interpretation about what was said upwards of two decades ago.

A few months ago, a judge dismissed several of Dre's claims -- that the reissue constituted trademark infringement, false endorsement, and a publicity rights violation -- but the main claim over an alleged contract breach survived.

In a decision on Tuesday, U.S. District Court Judge Christina Snyder finds that the agreement not to distribute Dre's songs except "in the manners heretofore distributed" unambiguously prohibited Death Row from reissuing "The Chronic" in a new form, including as digital downloads.

The case now moves onto a question of damages. Judge Snyder agrees that Dre was forced to accept a reduced royalty rate for the reissue than he normally would have accepted. She limits Dre's award to "actual damages," though. Just how much Dre is owed will be the subject of a jury trial, in all probability.

Newsmakers join pop stars on Time 100 list

Reuters, NEW YORK, 22: Previously unknown newsmakers from Egypt and Japan joined pop stars and politicians on Time magazine's list of 100 most influential people in the world released on Thursday.

The list includes pop culture giants such as Justin Bieber and Oprah Winfrey plus the lesser known Wael Ghonim, an Egyptian Internet activist who helped topple President Hosni Mubarak, and Takeshi Kanno, a Japanese doctor who refused to leave behind victims of the March 11 earthquake and tsunami.

"We've always, always tried to tell stories through people. ... We discovered it was a fantastic way to get people to think about what's going on all over the world," said Time Deputy Managing Editor Michael Elliott.

South Korean pop star Rain won the People's Choice vote for the third straight year. Time editors chose the names on the list except for the People's Choice, selected by online voters.

"He has very determined fans," Elliott said.

The complete list can be seen on http://www.time.com.

World leaders such as British Prime Minister David Cameron, French President Nicolas Sarkozy, German Chancellor Angela Merkel and Brazilian President Dilma Rousseff populate the list for how they have wielded power.

"The first time I met David Cameron, I knew we were political soul mates," actor and former California Governor Arnold Schwarzenegger wrote in a profile for Time, calling him "a centrist who avoids the gutters of politics."

Others include Gabrielle Giffords, the American congresswoman who survived a bullet wound to the head during a gunman's rampage in Arizona, and Michele Bachmann, the Republican congresswoman from Minnesota who has energized the anti-tax, anti-spending Tea Party movement.

Jailed Chinese artist Ai Weiwei was honored for his "bravery and artistic skill," Elliott said.

From the world of sport, Argentina soccer phenomenon Lionel Messi was joined by Indian cricket star Mahendra Singh Dhoni, whose charisma and leadership united an ethnically diverse team that won the World Cup.

Elton John opens Tribeca festival with "The Union"

Reuters, NEW YORK, 22P: Paying tribute to his piano-playing idol Leon Russell, Elton John opened the Tribeca Film Festival on Wednesday with a free outdoor performance and film premiere about the making of his album, "The Union."

The 64-year-old British singer belted out six songs, including several that appeared on the 2010 critically acclaimed album he collaborated on with fellow singer-songwriter Russell, at the opening of the 10th Tribeca Film Festival in New York that runs until May 1.

The opening night documentary, also called "The Union," by director Cameron Crowe, was shown to an audience of several thousand people in the downtown area of Manhattan where the film festival was founded in order to revive the area after the September 11 2001 attacks.

"He's got the accolades that he deserves and I am so proud of him," John told the crowd before playing two songs, including "Never Too Old (to Hold Somebody)," which he made with Russell, whose musical abilities as a composer and piano player inspired John before he became a hit-making world sensation.

The film shows John and Russell reuniting after having not spoken in 38 years and gives a behind-the-scenes glance at the writing and recording of the collaboration between John, John's lyricist Bernie Taupin and Russell for the album that was released last year and debuted at No. 3 in the Billboard 200.

It also flashes back to old footage of both musicians in the early 1970s, snippets of guest musicians on "The Union" such as Brian Wilson and various sequences of John hailing Russell, now 69, as the greatest piano player that ever influenced him and crying when Russell composes "In the Hands of Angels" off "The Union."

John told Reuters on the red carpet that the film was Crowe's idea, and his style was "uninvasive. You know, you don't notice him there after awhile, he's got a knack of kind of appearing behind plants and things like that."

Russell and Crowe, who made the fiction rock film "Almost Famous," did not attend the event. The "Jerry Maguire" and "Vanilla Sky" director also has a Pearl Jam documentary due out this year.

"The Union" is one of 15 music-themed feature films showing at Tribeca. Cinematic accounts of Kings of Leon, rocker Ozzy Osbourne and South African singer Miriam Makeba will also screen.

The opening night marked a change for the festival, one of the most prominent in the United States, after recent years in which Tribeca featured an uptown glitzy private premiere with feature fiction films like last year's "Shrek Forever After."

This year more than 5,000 films were submitted, resulting in 93 feature films, which include 41 documentaries and 52 narrative fiction films. Festival attendees will include Julia Roberts, Will Ferrell, Martin Scorsese, Orlando Bloom, Jeremy Piven and Ryan Phillippe.

Korea tale of motherly love becomes US best-seller

AFP, SEOUL, April 21: Shin Kyung-Sook took South Koreans by storm with "Please Look After Mom", her poignant novel of family love which sold 1.7 million copies domestically. Now it is going international.

The book sold more than 100,000 copies in the United States just a few days after its debut and there are plans to publish in 24 countries in total.

The novel ranks 21st on the upcoming New York Times best-seller list for hardcover fiction, based on sales between April 3 to 9.

It's the first time a Korean novel has made it on the list, according to Shin's agent Lee Ku-Yong, president of KL Management.

Shin, 48, is one of South Korea's most acclaimed novelists but "Please Look After Mom" is her first book to appear in English. Now she hopes she's set a globalising trend for other Korean writers.

"I am getting all these congratulatory messages but it (the success) doesn't feel so real yet," she told AFP in a phone interview from the United States.

"But, if I think about it, it's marvellous and I feel like I have achieved something new in a different world."

The book tells the story of an elderly, disorientated and illiterate mother from the countryside who gets separated from her husband at Seoul's busy train station and goes missing.

Her grown-up children distribute fliers and search the city for her, racked with guilt that none of them went to the station to meet their parents.

The story is told from the different perspectives of the husband, the children and the mother herself.

Shin attributes her US success partly to its universal theme and partly to the meticulous translation by Chi-Young Kim.

"I tried to understand and analyse the mother as another human being, the same as all of us, and to portray the burden everyone might have as being a mother to someone else," she said.

"Everyone has a mother, and their mothers have mothers, so I think the sentiment and symbolic meaning behind the mother-figure was commonly shared."

Shin, who is currently on tour to promote her book in the United States, said great effort went into the translation.

"Rather than simplifying Korean backgrounds and words for the sake of foreign readers, my translator, Knopf (the US publisher) and I worked on translating everything word by word," she said.

"Overall, I am very satisfied with the English version."

Unlike in the past, she said, Korea now has competent translators to convey messages effectively in a variety of languages. Interest in the country's literature is growing as more Korean novelists venture overseas.

Kim Young-Ha, another best-seller at home, has published "Your Republic is Calling You" and "I Have the Right to Destroy Myself" in the US.

"Your Republic is Calling You" -- the story of a North Korean spy mysteriously summoned home after 21 years in South Korea -- was the first Korean novel to make Amazon's top 100 literature list.

"Communicating across countries through literature may be hard, but it can also be the tool for the deepest interaction," said Shin, who is also scheduled to publish her latest novel "I'll Be There" in the US.

"I want to see more Korean novels not only in the US but many other countries."

Argentine court finds rock group liable in 2004 fire

AFP, BUENOS AIRES, April 21: An Argentine court on Wednesday said members of the rock group Callejeros were "criminally liable" for a 2004 blaze that killed 194 people at a Buenos Aires concert.

A second court will determine the penalty, according to a court source.

At a 2009 trial, the owner of the Cromanon discotheque, where the concert was held, was sentenced to 20 years in prison. The six members of the band were acquitted, although the prosecutor had asked that they be given a sentence of 15 years.

Familes of the victims had appealed that decision.

The fire started after spectators shot off fireworks during the performance -- a common practice during a Callejeros show. Four thousand people were crammed inside the discotheque the night of the show, more than three times its official capacity.

Many of the victims were asphyxiated because the main exit had been locked by the concert organizers to prevent people from entering the hall without paying for a ticket.

The court found that the six members of the group were "fully responsible for the involuntary fire, and the subsequent deaths."

After the verdict, prosecutor Raul Plee announced: "The Callejeros' immunity is over."

The court also found guilty several former police officers and employees of the city of Buenos Aires.

The owner of the discotheque, Omar Chaban, had his sentence reduced to 11 years from 20.

Lindsay Lohan back in Gotti movie

Reuters, LOS ANGELES, April 21: Lindsay Lohan is back in a proposed film about the Gotti crime family after she personally persuaded its reluctant producer to give her a shot, he said on Wednesday.

The actress, whose promising career has been derailed by drug and criminal problems, had been in negotiations for a role in "Gotti: Three Generations," starring John Travolta as mob boss John Gotti, Sr. She even showed up at a news conference announcing the project last week.

But producer Marc Fiore said earlier Wednesday that he had broken off talks because of demands made by Lohan's management team, and planned to meet with other actresses.

Hours later, he appeared to have been swayed by the "Mean Girls" actress herself.

"We had a little rocky road today, but Lindsay definitely revived the situation," Fiore told Reuters, adding that Lohan called him personally to plead her case.

Lohan will play Kim Gotti, the wife of Gotti's namesake son, Fiore said. Previous media reports said she was in line to play his daughter, Victoria. Fiore said the Kim role was bigger since the movie is about the father-son relationship.

Fiore has the cooperation of retired mobster John Gotti, Jr., whose character has yet to be cast. His father, the so-called "Teflon Don," died of cancer in 2002 while serving a life term for murder, racketeering, extortion and tax evasion.

Fiore said he hoped to announce a new director next week. Nick Cassavetes, who was originally attached, exited the project earlier this week because of a scheduling conflict.

Shooting is expected to start in October. Fiore said the budget for the self-financed film was $70 million to $80 million. He declined to specify the source of the funds.

New Jersey- and Los Angeles-based Fiore Films previously produced the 2008 DVD "National Lampoon's One, Two, Many," starring former Howard Stern radio sidekick "Stuttering" John Melendez.

Lohan, 24, is scheduled to appear at a Los Angeles preliminary court hearing on Friday over a jewelry theft charge that will determine if she should stand trial. She could be sent to prison if eventually convicted.

The former child star has not headlined a movie since the widely ridiculed 2007 bomb "I Know Who Killed Me."